The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become read more

The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public.

What the mass media offers is not popular art, but entertainment which is intended to be consumed like food, forgotten, read more

What the mass media offers is not popular art, but entertainment which is intended to be consumed like food, forgotten, and replaced by a new dish.

Colors that blend with the brick and the dark waters of the city's canals - greens, browns and the strong read more

Colors that blend with the brick and the dark waters of the city's canals - greens, browns and the strong shade of oxblood that is known as Bruges red.

Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, read more

Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.

The artist is the opposite of the politically minded individual, the opposite of the reformer, the opposite of the idealist.

The artist is the opposite of the politically minded individual, the opposite of the reformer, the opposite of the idealist.

Everyone has talent. What is rare is the courage to follow that talent to the dark place where it leads.

Everyone has talent. What is rare is the courage to follow that talent to the dark place where it leads.

From the shore.. one looks
upward to the sanddune grass..
10,000
green brushes attempting
where they laid
to paint read more

From the shore.. one looks
upward to the sanddune grass..
10,000
green brushes attempting
where they laid
to paint the blue sky
jade.

Sometimes one pays most for the things one gets for nothing.

Sometimes one pays most for the things one gets for nothing.

Twentieth-century art may start with nothing, but it flourishes by virtue of its belief in itself, in the possibility of read more

Twentieth-century art may start with nothing, but it flourishes by virtue of its belief in itself, in the possibility of control over what seems essentially uncontrollable, in the coherence of the inchoate, and in its ability to create its own values.