The hasty multitude
Admiring enter'd, and the work some praise,
And some the architect: his hand was read more

The hasty multitude
Admiring enter'd, and the work some praise,
And some the architect: his hand was known
In heaven by many a tower'd structure high,
Where scepter'd angels held their residence,
And sat as princes.

Earth proudly wears the Parthenon
As best gem upon her zone.

Earth proudly wears the Parthenon
As best gem upon her zone.

A man who could build a church, as one may say, by squinting at a
sheet of paper.

A man who could build a church, as one may say, by squinting at a
sheet of paper.

Anon, out of the earth a fabric huge
Rose, like an exhalation.

Anon, out of the earth a fabric huge
Rose, like an exhalation.

The architect
Built his great heart into these sculptured stones,
And with him toiled his children, and read more

The architect
Built his great heart into these sculptured stones,
And with him toiled his children, and their lives
Were builded, with his own, into the walls,
As offerings unto God.

Architecture is the art of how to waste space.

Architecture is the art of how to waste space.

When I lately stood with a friend before [the cathedral of]
Amiens, . . . he asked me how read more

When I lately stood with a friend before [the cathedral of]
Amiens, . . . he asked me how it happens that we can no longer
build such piles? I replied: "Dear Alphonse, men in those days
had convictions (Ueberzeugungen), we moderns have opinions
(Meinungen) and it requires something more than an opinion to
build a Gothic cathedral.

The Gothic cathedral is a blossoming in stone subdued by the
insatiable demand of harmony in man. The mountain read more

The Gothic cathedral is a blossoming in stone subdued by the
insatiable demand of harmony in man. The mountain of granite
blooms into an eternal flower, with the lightness and delicate
finish, as well as the aerial proportions and perspective of
vegetable beauty.

Grandeur . . . consists in form, and not in size: and to the eye
of the philosopher, the read more

Grandeur . . . consists in form, and not in size: and to the eye
of the philosopher, the curve drawn on a paper two inches long,
is just as magnificent, just as symbolic of divine mysteries and
melodies, as when embodied in the span of some cathedral roof.