You May Also Like / View all maxioms
We're clicking (offensively) better this year than last year at this point. ( Tyler ) Bruce is finding his receivers, read more
We're clicking (offensively) better this year than last year at this point. ( Tyler ) Bruce is finding his receivers, and the line is doing a great job blocking.
This is legal process that now is up to the international community, because there is more than one country implicated.
This is legal process that now is up to the international community, because there is more than one country implicated.
We believe that there is consumer demand for energy efficient homes, these classes will give contractors the tools to meet read more
We believe that there is consumer demand for energy efficient homes, these classes will give contractors the tools to meet that demand.
We don't know why anybody would do this. They're nice people.
We don't know why anybody would do this. They're nice people.
Pressure for pressure. That was one of the things we talked about in the locker room. Benet is known for read more
Pressure for pressure. That was one of the things we talked about in the locker room. Benet is known for coming out aggressively in the second half, so when they started putting on the pressure at the end of the game, we knew we had to give them just as much or more. And that's what we tried to do.
No one can guard him. He's strong with a low center of gravity.
No one can guard him. He's strong with a low center of gravity.
Similar problems are faced in every household, but this is on a much larger scale.
Similar problems are faced in every household, but this is on a much larger scale.
Splitting up the portfolio is more than an accounting measure. I've handled cases where the portfolios were really diverse. If read more
Splitting up the portfolio is more than an accounting measure. I've handled cases where the portfolios were really diverse. If I hadn't stepped in, the wife would have been stuck with capital gains that she had no clue about.
The Aesthetics of Repetition II
The Aesthetics of Repetition II