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I read the newspaper avidly. It is my one form of continuous fiction.
I read the newspaper avidly. It is my one form of continuous fiction.
The editor sat in his sanctum, his countenance furrowed with
care,
His mind at the bottom of business, read more
The editor sat in his sanctum, his countenance furrowed with
care,
His mind at the bottom of business, his feet at the top of a
chair,
His chair-arm an elbow supporting, his right hand upholding his
head,
His eyes on his dusty table, with different documents spread.
How shall I speak thee, or thy power address
Thou God of our idolatry, the Press.
. read more
How shall I speak thee, or thy power address
Thou God of our idolatry, the Press.
. . . .
Like Eden's dead probationary tree,
Knowledge of good and evil is from thee.
The great art in writing advertisements is the finding out a
proper method to catch the reader's eye; without read more
The great art in writing advertisements is the finding out a
proper method to catch the reader's eye; without which a good
thing may pass over unobserved, or be lost among commissions of
bankrupt.
Nobody's interested in sweetness and light.
Nobody's interested in sweetness and light.
There aren't any embarrassing questions -- only embarrassing answers.
There aren't any embarrassing questions -- only embarrassing answers.
To serve thy generation, this thy fate:
"Written in water," swiftly fades thy name;
But he who read more
To serve thy generation, this thy fate:
"Written in water," swiftly fades thy name;
But he who loves his kind does, first and late,
A work too late for fame.
A Fourth Estate, of Able Editors, springs up.
A Fourth Estate, of Able Editors, springs up.
Journalism without a moral position is impossible. Every journalist is a moralist. It's absolutely unavoidable.
Journalism without a moral position is impossible. Every journalist is a moralist. It's absolutely unavoidable.