Maxioms by John Berger
When we suffer anguish we return to early childhood because that is the period in which we first learnt to read more
When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss. It was more than that. It was the period in which we suffered more total losses than in all the rest of our life put together.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but read more
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
Compassion has no place in the natural order of the world which operates on the basis of necessity. Compassion opposes read more
Compassion has no place in the natural order of the world which operates on the basis of necessity. Compassion opposes this order and is therefore best thought of as being in some way supernatural.
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the read more
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
The past grows gradually around one, like a placenta for dying.
The past grows gradually around one, like a placenta for dying.