William Shakespeare

The language I have learnt these forty years,
My native English, now I must forgo;
And now read more

The language I have learnt these forty years,
My native English, now I must forgo;
And now my tongue's use is to me no more
Than an unstringed viol or a harp,
Or like a cunning instrument cased up
Or, being open, put into his hands
That knows no touch to tune the harmony.

There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy.

There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy.

Then come kiss me, sweet and twenty. -Twelfth Night. Act ii. Sc. 3.

Then come kiss me, sweet and twenty. -Twelfth Night. Act ii. Sc. 3.

O, what men dare do! what men may do! what men daily do, not knowing what they do! -Much Ado read more

O, what men dare do! what men may do! what men daily do, not knowing what they do! -Much Ado about Nothing. Act iv. Sc. 1.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.