Mark Adamo

I approached opera from the theater side, ... I used to rail against the clichs of the form, all those read more

I approached opera from the theater side, ... I used to rail against the clichs of the form, all those sopranos in nightgowns dying in Act 2. So what do I have in my first opera? A soprano in a nightgown dying in Act 2.

From the late Classical period and more so in Romantic and Modern opera, the weight settled into the orchestra, with read more

From the late Classical period and more so in Romantic and Modern opera, the weight settled into the orchestra, with the voices as a free obbligato above it, ... That just drives me crazy. I want the vocal line to be as much the core as the bass line. I want to create the illusion that the voice generates harmony, color, line, everything.