George Gordon Noel Byron

This is to be along; this, this is solitude!

This is to be along; this, this is solitude!

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand;
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I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand;
I saw from out the wave of her structure's rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying Glory smiles
O'er the far times, when many a subject land
Look'd to the winged Lion's marble pines,
Where Venice sate in state, throned on her hundred isles.

O Fame!--if I e'er took delight in thy praises,
'Twas less for the sake of thy high-sounding phrases,
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O Fame!--if I e'er took delight in thy praises,
'Twas less for the sake of thy high-sounding phrases,
Than to see the bright eyes of the dear one discover
She thought that I was not unworthy to love her.

Around his form his loose long robe was thrown,
And wrapt a breast bestowed on heaven alone.

Around his form his loose long robe was thrown,
And wrapt a breast bestowed on heaven alone.

Farce follow'd Comedy, and reach'd her prime.
In ever-laughing Foote's fantastic time;
Mad wag! who pardon'd none, read more

Farce follow'd Comedy, and reach'd her prime.
In ever-laughing Foote's fantastic time;
Mad wag! who pardon'd none, nor spared the best,
And turn'd some very serious things to jest.
Nor church nor state escaped his public sneers,
Arms nor the gown, priests, lawyers, volunteers;
"Alas, poor Yorick!" now forever mute!
Whoever loves a laugh must sigh for Foote.
We smile, perforce, when histrionic scenes
Ape the swoln dialogue of kings and queens,
When "Chrononhotonthelogos must die,"
And Arthur struts in mimic majesty.