Debbie Allen

I basically shoot the movie the way I think it should be cut, so my directives to the editor are read more

I basically shoot the movie the way I think it should be cut, so my directives to the editor are in the camera.

They had a clear idea about what I really wanted to see, based on our initial conversations, and they did read more

They had a clear idea about what I really wanted to see, based on our initial conversations, and they did a great job.

We could have done this movie very differently had we shot on the streets of Harlem and taken a 40-day read more

We could have done this movie very differently had we shot on the streets of Harlem and taken a 40-day shooting schedule.

The look of the movie has a kind a muted tone to it at first, and then we introduce color read more

The look of the movie has a kind a muted tone to it at first, and then we introduce color to it as we go along.

You want fame? ... Well, fame costs. And right here is where you start paying. With sweat.

You want fame? ... Well, fame costs. And right here is where you start paying. With sweat.